The Nun of Hell
You wander in dismal corridors. To be true, you have lost your way. But you know by intuition that you just came a bit further down in the dark depths of the abyss. |
Nothing that
could scare you. Yet... Here is an other corridor. One more. However, this one seems to lead to a wider opening. And your walk finishes under a rectangular cloister peristyle. Thin columns of stone ending in arches, decorated with vine leaves, softly slice up the space. Low openings induce you to penetrate the intimacy of monk cells. At the middle of the courtyard, a well sits, invaded by dry ivy. |
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For three hours you have been pacing the Nun of Hell's palace up and down and you did not meet a living soul. Tirelessly you have inspected every door; one by one you have opened all the trapdoors : nothing. | ||
Just an undisturbed silence that only your steps on the flint disrupt. Even the echo of screams that got through so suddenly from the innumerable depths of this maze has disappeared. You are now too far away to hear them. |
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The heat in this place takes your breath away. And a dreadful apprehension comes over you as you see a little reptile like being walking towards you.
Eager to know more you follow in his footsteps. Suddenly you spot his wader legs coming up out of his long pointed shoes. The Big Mass is being prepared. In the room where the servant brought you, you can now watch a strange crowd bustling about. Meticulously, with an unmatchable precision in contrast with the apparent clumsiness of the movements, some creatures with shells, eagle beaks, bat ears and scaly lizard fingers arrange the items of a ritual that you will certainly witness. |
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On the floor, some candles design a satanic pentacle. On the walls, small wooden paintings relate the devil's way of glory ; whereas Jesus of Nazareth is brought to the worst of agony and humiliation, a greenish being with growing pustules and scabby extremities puts on the attributes of kingship and the powers that the first one gave up in his lifetime. |
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Suddenly the metallic roar of a door that is pushed open too violently freezes the little devils with terror. Thus they run and scatter. The ritual is ready to start. Chalices filled with blood, bundles of myrtle, five branch candelabras at the bottom of the altar, whose surface is lit up by the rays of a blazing fire that drinks the chapel darkness. |
While sat on the horizontal beam of the cross on which the poor soul is suffering his last moments the vile creature laughs about his pitiful state, horns of power grow on his forehead and outrageous beauty illuminates his face. Thus the Almighty Father only seems to hear this laughter ; his beloved son's supplications do not get through to him anymore. He closes his eyes on earth forever, so it is left to evil. That is the last icon of this way of glory. |
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A tonsured priest arrives silently at the altar. He is soon followed by a procession of women with black shawls and hairy arms. Some are frenzied and shaking with disturbing shivers ; others have this kind of wolfish beauty. Holding a bible upside down, the priest recites quite a strange Latin. Then it is oblation time. A consecrated host is passed on among the attendance; everyone appends his share of sacrilege. Sabbatical frenzy begins to spread among the witches who roll on the floor and bleed their breasts with their hard nails ; others rub their intimacy then grasp the host and soil it at the very same place. |
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What is all that mad commotion for ? And where is this "master" who invited you to watch that with him ? But
you soon understand : they are actually summoning this so-called Master...
And that's right, blame the invocation! It is an excuse for any abomination. Tongues mingle together, secretions abound ; and as a liturgy the priest shakes his nature and sprays the attendance. |
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You do not take account of these horrors anymore and that witch who is caressing her toad belly in a lecherous way and is rattling so high is no longer on the menu of what could make you spew. Why not after all ?! If it works... A wrong thing may just as well serve an evil thing. And that is what actually happens. In the fire rising from the profaned altar Mephistopheles appears putting on a mocking smile at the sight of the appalling show ending in front of him. |
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And he immediately goes towards you. In a friendly way he takes you by the arm off that dirty orgy.
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" Their touching devotion starts me on the same roars of laughter that filled the absurd silence 1967 years ago as I was mocking the "King of the Jews" agonising on his pole. As only God requests, in order to show himself, that one tears his own beard off and strikes big blows on his own chest with a heavy flint stone until he bleeds. " |
While discoursing with irony upon the "Venerable", raising his hand with excitement at times and letting it fall with a graceful backhand, the devil takes you through corridors fitted with torches to a huge library. The range of incomparable works you find here fills you with wonder. And between the rows of books, there are some closed retables made of precious wood. Suddenly a gloomy bellow strikes you with terror. Above your shoulder you smell a repellent camel breath. |
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A camel ! Here! In hell !
Indeed you recall the metaphor. Yes, it is an evidence without appeal : if a camel can not even pass through the eye of a needle, how could he be elsewhere but in hell ? |
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You salute the camel who goes back to his seat beside a lectern and turns the pages of an illumination with his tongue. You are rather intrigued by the closed retables. There is on one of them a fantasist illustration of Valachia.
He helps you open the two side panels. It is horrifying ! Four paintings, worked with a glaring realism for sordid details, show the gruesome crimes of Vlad IV, prince of wild cruelty, the Carpates impaler. |
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On
the left side panel is the Boyards' banquet. All around the guests, in the castle
courtyard, the impaled, like a stunted pine tree wood,
the skinned, whose skin hangs up on pike tops, cooking pots
from which servants are picking up arms, heads and organs, smell
of corpses while most of them are still moving in their agony. The other shutter shows his campaign against the Turks and his forests of pales. The middle panel is the series pinnacle : while men build a citadel, women and children are methodically disembowelled, castrated, quartered and beheaded. |
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That is enough ! What could have given such a licence to that psychopath ? How could he torture as such in broad daylight, without fearing any reprisals ? Because he acted in the name of God and had free hand in order to push back the Ottoman invader. This way guilty conscience was evaded, all the more so for a person hardly inclined to conscience examination. And so were the Crusades. The butcher Richard the Lion Heart could give free expression to his murderous madness... |
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Stocked in the seclusion of the human brain the ingredients though, in limited number, can combine in infinite ways, balance or roar like a storm, so much so that in the end the refinements and subtleties of mind diseases are unlimited. And we just need conscience to add the last element to this mixture to get a chain reaction that would make the potion boil over. Psychosis, schizophrenia and paranoia are the new explanation for evil. The Devil has now little to do with it. Man is self-reliant regarding this matter; it is a shame but it is true ; and insanity comes from himself only. |
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But science leaves us without an answer to the fiery consistence of evil. By disenchanting the world it has laid all the responsibility for evil on men. But according to your host, there is something quite different going on :
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" Inert in the sleeping water of his swamp, like the impenetrable shell saurian, insensitive, inaccessible to greatness and escape, he spares his movements to the strict necessity of his daily hunger. " Voracious
but thrifty, this is really the 'esprit bourgeois' that rules today.
Worried only about his food, impervious to compassion and
greatness, he is sort of crouching here with no other expectations...
But try to approach him, to dislodge him from his sleep, then he
will swoop down on you with all his predatory rage. |
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Happy and proud of himself, Mephistopheles looks at you, obviously expecting your agreement on this wonderful masterpiece. He wants to share an expert opinion... And indeed you have to admit that the trick is a complete success. The Devil's reign on earth takes all the appearances of roundness and banality. |
You would gladly share the demon's enthusiasm. Whereas good and love require so much effort, whereas their fruits are so scarce and so little rewarding, you have in front of you the so intense emotion brought by a trim and complete work. Yet another show, which quickly leaves a bitter taste in your mouth, is offered to your eyes : Mephistopheles walked away. He took out a lights tin from a splendid George 5th chest of drawers and he is distributing the daily mash to a bunch of mewing cats with tails up. They are the Nun's cats. They are so cute ! The happy demon, son of an ancient great witch, is exclaiming, giving out sounds of a familiarity that you would rather know nothing about, and shaking is head in such a senile way : " Kitty kitty ", " Look who's here! Is it Mommy's baby ?! " How is it possible to go so low ? |
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What is that Hell all about ?! For every single step you make, it is the same appalling statement that it is only a metaphor of the world. Always the same tiddly-om-pom-pom, the same old tunes... You pat on the cat's head. You make a gluttony pal of him. And you let the world die around you... What the hell is the demon hiding under his big red cape ? Slippers ? That is really Hell ! |
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Nevertheless you are delighted. The Nun's cats presence is really a clue that could lead you back to her. You follow the sated pussycats. They will certainly take you to her stronghold. | |||
The appalling and all too human reality of the devil revolts you. You expected at least a bit more panache. This demon is ridiculous. You can not help expressing your scorn in a mocking and loud laugh. | |||
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